Using our links helps support this site—click on any book cover thumbnail for all your Amazon purchases Visual textbook of how photographs function and why they matter. Using Photoshop to create digital nega- tives for silver and alternative process printing Michael Kenna's latest, "Hokkaido" Carolyn Wright's legal guide for photographers John Sexton's latest monograph Bruce's last book is excellent for printmakers Award-winning tome showing the aftermath of Katrina The "most powerful colorspace" by Dan Margulis Eloquent and easy-to-read "essays in defense of traditional values" Large-format color from today's China Quirky and fun book about toy cameras Best book on the subject by our own Ctein Beautiful sampling of Steve McCurry's portraits, including the famous "Afghan girl." Superb reproduction quality. Anthology of the best of Robert Capa Matched pair of highly readable histories. Buy now— these may not remain in print much longer Most important technical book for DSLR owners David Hurn and Bill Jay's best-seller How to deal with artists' process issues Best small Sampler of Avedon. A unique example of book- making as well. "Color photography has found its Mozart" —J.S. Third Edition now unfortunately out of print. Missed your chance?
That's a great picture, quite comic in some ways, the womans face and the relaxed cow walking in the back, very naive. I wonder how was it put together. Is it a real shot? On film? The trees in the back show camera movement, but not the old lady, was she filled using flash? The cow seems to be from a hotter climate than Latvia, seems to have some cebu blood.
refreshing departure from the compact digicam discussions..(too much gear, never enough time) As always, my humble gratitude to the George Eastman House for its incredible collection..
The old lady could be sitting on the back of a trailer. It would explain the movement forward AND sideways as those old wooden carts swey. The cart is probably on an old dirt road and the cow is just a cow standing in the road.
The back of truck/cart theory would go well with the background being a dusty road in the forest. That looks about right, with the dust cloud and the cow in the perfect position if you imagine it that way. But that takes away some of the magic! I like the weird first impression more.
7 Comments:
That's a great picture, quite comic in some ways, the womans face and the relaxed cow walking in the back, very naive. I wonder how was it put together. Is it a real shot? On film? The trees in the back show camera movement, but not the old lady, was she filled using flash?
The cow seems to be from a hotter climate than Latvia, seems to have some cebu blood.
Holy cow.
refreshing departure from the compact digicam discussions..(too much gear, never enough time) As always, my humble gratitude to the George Eastman House for its incredible collection..
Is that a theatre backdrop? The background brushstrokes are very hard to create (outside of photoshop) any other way.
Quite haunting.
scott
This image is very similiar in style to the woodcuts and dark oil paintings found and produced by ordinary Latvians between the two wars
The old lady could be sitting on the back of a trailer. It would explain the movement forward AND sideways as those old wooden carts swey. The cart is probably on an old dirt road and the cow is just a cow standing in the road.
The back of truck/cart theory would go well with the background being a dusty road in the forest. That looks about right, with the dust cloud and the cow in the perfect position if you imagine it that way.
But that takes away some of the magic! I like the weird first impression more.
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